Haydn: The Complete Paris Symphonies 82-87 L' Ours, La Poule, La Reine .. (rf.rc.: Kurt Sanderling)
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Franz Joseph Haydn (1732-1809) - The ‘’Paris’’ Symphonies 82-87.
Symphony No.82 in C ‘’L’Ours’’
*Click to activate the English subtitles for the presentation* (00:00-02:30)
I. Vivace assai (00:00)
II. Allegretto (08:03)
III. Menuetto (16:57)
IV. Finale - Vivace (21:59)
Symphony No.83 in G minor 'La Poule'
*Click to activate the English subtitles for the presentation* (27:42-28:35)
I. Allegro spiritoso (27:42)
II. Andante (35:39)
III. Menuet (43:08)
IV. Finale - Vivace (47:38)
Symphony No.84 in E-Flat
*Click to activate the English subtitles for the presentation* (52:05-52:35)
I. Largo - Allegro (52:05)
II. Andante (1:01:24)
III. Menuet - Allegretto (1:09:10)
IV. Finale - Vivace (1:12:45)
Symphony No.85 in B-Flat 'La Reine'
*Click to activate the English subtitles for the presentation* (1:18:47-1:19:29)
I. Adagio - Vivace (1:18:47)
II. Romance - Allegretto (1:27:06)
III. Menuet - Allegretto (1:34:40)
IV. Finale - Presto (1:39:48)
Symphony No.86 in D
*Click to activate the English subtitles for the presentation* (1:43:12-1:43:55)
I. Adagio - Allegro spiritoso (1:43:12)
II. Capriccio - Largo (1:52:08)
III. Menuet - Allegro (1:58:10)
IV. Finale - Allegro con spirito (2:04:06)
Symphony No.87 in A
*Click to activate the English subtitles for the presentation* (2:10:39-2:12:20)
I. Vivace (2:10:39)
II. Adagio (2:18:19)
III. Menuet (2:25:04)
IV. Finale - Vivace (2:30:01)
Berliner Sinfonie-Orchester
Kurt Sanderling
Recorded in 1971
New mastering in 2018 by AB for CMRR
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En France, une riche vie culturelle annonçait les bouleversements politiques et sociaux qui allaient intervenir, quelques années plus tard seulement, lors de la Révolution. L'aristocratie et le clergé s'accrochaient à leurs possessions et à leurs privilèges tandis que la grande majorité de population ne cessait de s'appauvrir. Toutefois, le Tiers État représentait la force vive du pays: la bourgeoisie et les banquiers, commerçants, industriels, avocats et médecins etc. qui la composaient détenaient en France le pouvoir économique et réclamaient à présent l'égalité sociale et surtout ta participation au gouvernement du pays. C'est aussi la bourgeoisie qui dominait l'intelligence et les arts, regroupée au sein de cercles de lecture et de loges maçonniques et c'est elle aussi qui, pour l'essentiel, commandait des oeuvres aux artistes et faisait appel aux interprètes.
Haydn composa ses symphonies pour un orchestre comprenant 40 violons, 10 contrebasses et les vents par deux. Un telle distribution lui permettait de jouer sur les nuances de timbres, sur l'autonomie des différentes familles d'instruments et sur les contrastes dynamiques. Toutes les six Symphonies parisiennes comptent quatre mouvements, le troisième mouvement étant toujours un menuet avec trio. Haydn fixe la distribution de base de l'orchestre à une flûte, 2 hautbois, 2 bassons, 2 cors et les cordes et l'accroît si besoin est.
Le fait que la «Loge Olympique» parisienne détienne les droits afférents à ces symphonies n'empêcha pas Haydn de les proposer à son éditeur viennois aux fins de publication. Ce dernier reçut pour cela une autorisation spéciale de Paris et la première édition put être ainsi publiée chez Artaria dès fin 1787.
Quoiqu'il eût composé ces symphonies à la demande de la Loge parisienne, Haydn les dédia au roi de Prusse, Frédéric Guillaume Il. Le monarque possédait des copies de ces oeuvres et envoya à Haydn un anneau précieux en guise de reconnaissance. Le compositeur se résolut alors, a posteriori, à cette dédicace. Les Symphonies parisiennes sont considérées, dans l'œuvre de Haydn, comme l'apogée de son art symphonique. Le public parisien en fut visiblement conscient, il les accueillit, en effet, par des ovations.
🔥🎧 Album available // Haydn: The Paris Symphonies Nos.82-87 Kurt Sanderling
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Franz Joseph Haydn PLAYLIST (reference recordings) : https://www.youtube.com/playlist?list=PL3UZpQL9LIxO-kfxI5EgerTMB-ijyPbCL
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"I have lost count of the times when Haydn and other brilliant composers like him have saved my emotional life. Their lives must have been very very hard in ways I cannot possibly imagine and yet they came up with astounding music like this. They not ..."
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"The best composer ever. The start point for others that came after."
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