Wolfgang Amadeus Mozart: The Musical Genius

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Source/Further reading:

LIFE:
http://www.mozart.com/en/timeline/life/birth-family-and-childhood-salzburg-austria/
http://www.mozart.com/en/timeline/work/apollo-and-hyacinth/
W. B. M. Measor. “Incidents in the Life of Mozart.” The Musical Times and Singing Class Circular 14, no. 322 (1869): 295–97https://www.jstor.org/stable/pdf/3353093.pdf
Heartz, Daniel. “Mozart and Da Ponte.” The Musical Quarterly, vol. 79, no. 4, Oxford University Press, 1995, pp. 700–18http://www.jstor.org/stable/742381

Mozart and Salieri: https://www.theguardian.com/music/2003/dec/19/classicalmusicandopera.italy

Cause of death: https://www.pbs.org/newshour/health/symphony-second-opinions-mozarts-final-illness#:~:text=Mozart's%20personal%20physician%2C%20Thomas%20Franz,Frieselfieber%2C%20or%20acute%20miliary%20fever.

CREATIVE PROCESS AND STYLE:

‘Mozart's Piano Music’ by William Kinderman ISBN-13: 9780195100679https://oxford.universitypressscholarship.com/view/10.1093/acprof:oso/9780195100679.001.0001/acprof-9780195100679-chapter-6

David P. Schroeder, ‘Mozart's Compositional Processes and Creative Complexity’https://dalspace.library.dal.ca/bitstream/handle/10222/63147/dalrev_vol73_iss2_pp166_174.pdf?sequence=1&isAllowed=y

Webster, James. “Mozart’s Operas and the Myth of Musical Unity.” Cambridge Opera Journal, vol. 2, no. 2, Cambridge University Press, 1990, pp. 197–218,http://www.jstor.org/stable/823682

Rice, John A. “Mozart on the Stage.” Proceedings of the American Philosophical Society, vol. 152, no. 2, American Philosophical Society, 2008, pp. 179–88http://www.jstor.org/stable/25478485

https://www.invisionapp.com/inside-design/mozart-creative-success/