Flash Mob - Gustav Holst - The Planets: Jupiter (Berklee Contemporary Symphony Orchestra)
A flashmob of Gustav Holst's "Jupiter, the Bringer of Jollity" from The Planets by the Berklee Contemporary Symphonic Orchestra (BCSO) at Prudential Center.
BCSO:
Site: https://www.berklee.edu/professional-performance/berklee-contemporary-symphony-orchestra
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Website: https://www.berklee.edu/
FLASH MOB
Producer: Bernard Duc
Conductor: Bernard Duc
Audio Mixing / Mastering: Bernard Duc
Audio Engineer: Kenneth Jin
Audio Team:
Kenneth Jin
Lucas Celedon
Video Editing: Peter Sauter.
Video Team:
Peter Xiong,
Peter Sauter,
Athanasios Lazarou,
Jamichael Frazier
BERKLEE CONTEMPORARY SYMPHONY ORCHESTRA
Conductor: Francisco Noya
Assistant Conductors:
Bernard Duc, Lausanne, Switzerland
Gabriela Gomez Estevez, Santiago, Dominican Republic
Sahil Jindal, Rockaway, New Jersey
Anthony Sabatino, Lenexa, Kansas
Violin I
Serena Harnack, Concertmistress, Glen Ellyn, Illinois
Giulia Duchi, Milano, Italy
Gretchen Joki, Derry, New Hampshire
Hanna Zercher, Santa Fe, New Mexico
Jody Slagle, Hanover, Pennsylvania
Nisa Taufik, Kuching, Malaysia
Danbi Choi, San Diego, California
Dorielle Holly, Long Beach, California
Fernanda Perera, Tokyo, Japan
Rachael Rhodes, Stillwater, Oklahoma
Michelle Layanto, Singapore, Singapore
Minnie Jordan, Coupland, Texas
Bailea Woodal, Odessa, Texas
Violin II
Linton (Josh) Robinson, Principal, Troy, Michigan
Jaylon Black, Houston, Texas
Madison Duffy, Las Vegas, Nevada
Benjamin Delaney, St. Johnβs, Canada
Tiffany Rhee, Los Angeles, California
Timothy Smith, Newark, Delaware
Alexandra Taylor, Waltham, Massachusetts
Kristina Urbano, Buena Park, California
Raya Wahab, Beirut, Lebanon
Corcoran Mikol, Ester, Alaska
Viola
Peter J. Pezzino, Principal, Gold Canyon, Arizona
Lydia Downard, Boston, Massachusetts
Cecelia Cook, Liberty, Missouri
Yi Hsuan Liu, Taiwan, Taiwan
Han Sol Yi, Honolulu, Hawaii
Cello
Keizo Yoshioka, Principal, Hopedale, Massachusetts
Peter Xiong, Cranston, Rhode Island
Jacob Esquivel, Los Angeles, California
Siobhan Cassidy Robinson, Dallas, Texas
Athanasios Lazarou, Kapandriti, Greece
Casey Murray, Rush, New York
Sung Ha Hong, Seoul, South Korea
Bass
Marcelo MacCagnan, Principal Santos, Brazil
Ryan FanelliManchester, Vermont
Pietro Gennenzi, Rome, Italy
Maya Mortman, Sharon, Connecticut
Manos Stratis, Nicosia, Cyprus
Guitar
Assen Vaptsarov, Sofia, Bulgaria
Harp
Abigail Lim-Kimberg, San Francisco, California
Autumn Ramey, Lancaster, Massachusetts
Piano
Chris Cheung, Hong Kong, China
Flute
Gabriela Gomez Estevez, Principal, Santiago, Dominican Republic
Tommaso Annoni, Fidenza, Italy
Celine Hawker, West Jordan, Utah
Katherine Neunhoffer, Kerrville, Texas
Piccolo
Katherine Neunhoffer, Kerrville, Texas
Celine Hawker, West Jordan, Utah
Oboe
Davis Feeley, Principal, El Cerrito, California
Morgan Lucero, San Francisco, California
Clarinet
Jose Ignacio, Principal, Sts. Aquino, Dominican Republic
Itamar Ben Zimra, Givatayim, Israel
Bassoon
John OβHara, Westbrook, Maine
Peter Sauter, Brookside, New Jersey
Horn
Dan Pfeiffer, Principal, Orleans, Massachusetts
Biaochun Jonathan Foo, Singapore, Singapore
Andrew Capetandes, Long Island, New York
Mitchell Donahue, Roberts, Wisconsin
Trumpet
Kahlil Long, Principal, Springfield, Virginia
Kyrell Long, Springfield, Virginia
Viacheslav Ivanov, Moscow, Russia
Kieran Zollner, Gilbert, Arizona
Trombone
Ethan Santos, Principal, Fresno, California
Brian Freedman, Brockton, Massachusetts
Michael Riddle, Ipswich, Massachusetts
Bass Trombone
Ethan Santos, Fresno, California
Tuba
Rebecca Shrand, Marsh eld, Massachusetts
Timpani
Yusuf Roshd, Toronto, Canada
Charlie Betzelberger, Overland Park, Kansas
Percussion
Yusuf Roshd, Principal, Toronto, Canada
Charlie Betzelberger, Overland Park, Kansas
Denizcan Aktas, Izmir, Turkey
Faculty Coaches
Bass: Susan Hagen
Harp: Felice Pomeranz
Percussion: Richard Flanagan
Strings: David Wallace and Sharan Leventhal
Woodwinds and Brass: Charlie Lewis
Staff
Jamie Davis-Ponce
Orchestra Manager and Associate Director of Performance Division Programs
Sahil Jindal
Orchestra Personnel Assistant
Katherine Neunhoffer
Orchestra Librarian Assistant
Peter Xiong
Orchestra Marketing Assistant #berklee #berkleecollegeofmusic
π Video Statistics
π§ About This Track
This 4 minutes audio journey has been thoughtfully composed to provide an authentic experience featuring wind sounds that have been carefully recorded and mastered for optimal relaxation. Every element has been balanced to ensure a consistent experience throughout, without jarring transitions or sudden changes that might disrupt your relaxation. The audio quality maintains professional standards, making it suitable for high-quality speakers, headphones, or sleep systems.
This audio experience features a carefully balanced sound profile with slow tempo and gentle intensity. The mix has been optimized for extended listening, with frequency ranges that promote relaxation without fatigue. Whether listening through speakers or headphones, the spatial qualities of the recording create an immersive environment that transports you away from daily concerns.
Listening to this audio can provide numerous benefits for both mental and physical well-being. The carefully designed soundscape promotes parasympathetic nervous system activation, helping the body shift from 'fight or flight' mode into 'rest and digest' mode. Regular listening can help establish healthy relaxation habits and improve overall stress management.
The science of sound therapy draws from multiple disciplines: psychology, neuroscience, and acoustic ecology. Research consistently shows that ambient sounds can modulate autonomic nervous system activity, shifting the body from stress response (sympathetic activation) toward relaxation response (parasympathetic activation). This occurs through multiple pathways: masking of disruptive environmental sounds, providing gentle cognitive engagement that prevents anxious rumination, and creating predictable soundscapes that signal safety to primitive brain regions. Regular exposure to relaxing audio can help establish positive feedback loops where the brain learns to associate certain sounds with calm states.
The community response to this audio has been genuinely appreciative, with 52,982 likes reflecting the genuine impact it has had on listeners worldwide. In the comments section, listeners share personal stories of how this audio has helped them through difficult times, aided their sleep, or provided a reliable source of calm during stressful periods. Common emotional responses include feeling happy, demonstrating the profound effect well-crafted audio can have on our mental state. Many listeners return to this track regularly, considering it an essential part of their self-care routine. The consistent quality and reliable results have built a dedicated community of listeners who trust this audio for their relaxation needs.
To get the most from this audio experience, consider your listening environment and equipment. Find a comfortable position and allow yourself to fully receive the audio experience. Quality headphones can enhance the spatial qualities of the recording, though speakers work well for creating ambient environments. Adjust volume to your preferenceβlower for background ambience, slightly higher for active listening. Consistency in your listening routine can amplify benefits over time, as your mind learns to associate these sounds with relaxation.
This audio is particularly effective during: After a stressful day when you need to decompress; During quiet evening hours for peaceful ambience; Weekend relaxation and self-care time; Any moment when you need to step away from daily pressures. The versatility of this track means it adapts well to various situations and times of day. Listen when you feel the need for calm, or make it part of your regular routine for cumulative benefits.
Published by Berklee College of Music, this audio has been mastered for optimal streaming quality across all devices. At 4:23, this track works excellently with the built-in loop feature for extended listening sessions. The consistent audio levels throughout ensure no sudden volume changes that might disrupt your experience.
β¨ Highlights
- β Reached 1 million+ views milestone
- π§ High-quality nature recordings
- π΅ Professional musical composition
π― Best For
π‘ Listening Tips
- π Enable looping for continuous relaxation
- ποΈ Try the Ambient Sound Mixer to customize your experience
- π± Works great through phone speakers or Bluetooth
π¬ What Listeners Say
"Why does this never happen when I go out shopping?"
β @liteoner π 4,361
"Iβve said it before, and Iβll say it again: Holst earned himself a special place in heaven when he wrote Jupiter"
β @hannahgeorge5977 π 3,881
"Not pictured, a huge mountain of cases in the food court"
β @philippaul2270 π 1,031
π How to Get the Most Out of This Audio
To fully enjoy "Flash Mob - Gustav Holst - The Planets: Jupiter (Berklee Contemporary Symphony Orchestra)", we recommend the following approach:
- Set the Scene: Find a comfortable position, dim the lights if possible, and minimize distractions.
- Use Quality Audio: Headphones or quality speakers will enhance the experience significantly.
- Adjust Volume: Keep the volume at a comfortable background level - loud enough to hear, quiet enough to relax.
- Enable Loop: Click the Loop button above for continuous play during your session.
- Try the Mixer: Use our Ambient Sound Mixer below to customize the audio with additional sound layers.
This 4:23 track is ideal for relaxation, focus, sleep. With 4M views, it has become a trusted choice for thousands of listeners worldwide.